Oil Paintings, Watercolors and Drawings Enjoy these original works of art from several generations. Terms of Sale - Lieferbedingungen We accept reasonable offers.

Max A. Kuhn (1895 Landshut - 1976 Landshut) Country Road, pastel on cardboard Kuhn moved to Rosenheim, Upper Bavaria in 1938. He was a painter of landscapes. He became known through many exhibitions: Munich, Regensburg, Dresden, Duesseldorf, Cologne and Linz. His very personal style is timeless, his colors are bold, yet 11.5 x 18.7 cm ( 4.5 x 7.3 ") $ 155.00 Order Nr. ORIGINAL9718

Bleistiftzeichnung Les Exilés Statue von Bildhauer Mathurin Moreau (1822-1912) Die Statue steht im Museum d'Orsay in Paris. Bleistiftzeichnung von Hans Kuhn  Signiert: HKuhn Datiert: 15.1. (18)89 Vom Künstler in Bleistift bezeichnet: Les Exilés  Moreau sculp. Sehr gut exekutierte Bleistiftstudie der Marmor-Skulptur, die Moreau auf dem Pariser Salon 1884 ausstellte. Sie wurde von der französischen Regierung erworben und im Musée d'Orsay in Paris aufgestellt. Akademisch genaue Bleistiftzeichnung auf getöntem Zeichenkarton. ***** Pencil drawing by Hans Kuhn of the Les Exilés Statue von Bildhauer Mathurin Moreau (1822-1912). The statue is in the Museum d'Orsay in Paris. Signed HKuhn and dated 15.1. (18)89 Fine drrawing of the marble statue by Moreau that was displayed in Paris in 1884. Exact academic pencil drawing.on toned thin carboard. Blattgrösse/ page size: 21,4 x 14,8 cm (8.3 5.8") $ 110.00 minus 40% discount = $ 66.00 Order Nr. ORIGINAL251231

Attractive painting of the Montmartre part of Paris. It shows a street on Montmartre. In the background: two of the cupolas of Sacre Coeur. Oil on canvas. Signed lower left corner: J. Brasak????. Framed in a pleasant wooden frame. The painting is not dated but is probably from the early 1960s. The painting allows a glimpse into a typical Montmartre street. Visible within the frame: 59 x 48 cm (23.2 x 18.9") Painting is in good condition. $ 380.00 Order Nr. PAINTING234568

Fruit still life. Water color over pencil on paper by Wilhelm Schmid. Signed W. Schmid. Dedication by the artist's hand to Herr und Frau Dr. Sollop ( Gollop ?), dated 13 XII 21. Paper has general age toning. Colors are fresh. Leaf size: 22 x 28.8 cm ( 8.66 x 11.33"). EURO 650.00 Order Nr. PAINTING9721 Schmid was a Swiss painter (born 1892 in Remingen near Brugg in Aargau - died 1971 in Bré sopra Lugano (near Lugano). Schmid belonged to the avangarde in the field of New Objectivity (Neue Sac hlichkeit). He lived in Berlin from 1917 - 1938. When his work was judges as Degenerate Art by the Nazis, he left Germany and returned to Switzerland. His art work was incorporated in the stream of Magic Realism. Some 40 of his paintings belong to prestigious Swiss Federal Art Collection (Bundeskunstsammlung - BKS). During the Nazi Regime all of Schmid's work in German museums was destroyed. When he left his home in Potsdam, Germany in a rush, he left his art work behind. All of that is considered missing. His later work was bought by private collectors, by the Museo Wilhelm Schmid in Bré sopra Lugano, in ãArgauer Kunsthaus Aarau" and in the Swiss ãBundeskunstsammlung" (BKS) Bern, Switzerland. Just recently the BKS organized an exhibition of Wilhelm Schmid's work in its possession at the Schweizerische Nationalbibliothek in Bern (May 15 - August 2, 2008).

No title. Most likely Lago Maggiore Ink drawing in sepia color. On reverse side with pencil: Mathilde Mutins. Ca. 1820 Mathilde von Mutius was married to Freiherr Johann August Friedrich Hiller von Gärtringen Unfortunately we are unable to clearly state the point of view. Locally acquainted people will be able to help. Very finely done sepia ink drawing. No margins. 6.5 x 22.2 cm (6.5 x 8.7") $ 280.00 Order Nr. ITALIA235530

Persian miniature painting. In a Persian harem seven young women, accompanied by an elder chaperone, approach the Persian Shah, who receives them graciously. Persian miniature painting in fabulous metallic colorrs, gold-lined and partially guilded. Reverse side: Book text in hand-written black ink with red underlines. The painting is framed with hand-written text on either side and imbedded into ornamental gulded bordures. Repeatedly we seen the bordure images of peacocks. The peacock was the imperial bird symbol of the Persian Shah, which might be an indication, that the scene is actually happening in the Golestan Palace, the palace of Persian Monarchy in the 19th century. The absolutely royal aura of the chamber we are looking at, seems to emphasize this impression.. Frayed along edges, especially along the binding side of miniature. Bordure has a few tiny book worm holes, none, however, in the image. The image in excellent condition with beautiful strong metallic colors. 19th century. Image: 10,8 x 20 cm (ca. 4.2 x 7.8") Overall measurements: 18 x 30 cm (ca. 7 x 11.8") $ 750.00 Order Nr. ORIGINALPAINTING255050

"Je ne cous cacherai pas que mont client est un coquin" Attorney in his summation (final speech) I won't conceal from you, that my client is a Pascal - Ich werde ihnen nicht verheimlichen, dass mein Mandant ein Spitzbube ist Black ink drawing with spare use of color Monogram at bottom right: AD On grayish paper. Laid down on cardboard Possibly executed in style of an exiting paragon. Minimal traces of age and use. Ca. 1960 49 x 31,5 cm (ca. 19.3 x 12.4") $ 750.00 Oreder Nr. LEGAL252136

Verona - ãDuomo a Verona" Water color in sepia on paper. By Vaclav Koutsky (Czeck artsist 1907 - 1980) Signed lower right: ãV. Koutsky (19)69. Named lower left: ãDuomo a Verona" Front view of the Cathedral of Verona Mounted on upper left and right to a cardboard. Minimal crinkling. 47.8 x 59.2 cm (18.8 x 23.3") Order Nr. ITALIAVERONA235004SOLD

Partenkirchen Floriansplatz Ohne Titel. Partenkirchen - In der Eremitage in St. Petersburg hängt das Ölgemälde, das unter dem Namen "Der Morgen" Partenkirchen darstellt. Der Maler ist Peter Heinrich Lambert Hess (1792-1871). Er wurde 1861 in den persönlichen bayerischen Adelsstand erhoben und durfte sich ab dann Ritter von Hess nennen. 1839 lud Zar Nikolaus von Hess nach St. Petersburg (und Moskau) ein. das Gemälde "Der Morgen" war aber schon 1819 in den Besitz des Zaren gelangt. Der Lithograph Friedrich Hohe (1802-1870) lithographierte das Gemälde "Der Morgen" von Peter Hess. Die vorliegende Bleistiftzeichnung ist unsigniert und undatiert. Die künstlerische Genauigkeit und Übereinstimmung mit dem Gemälde wie auch mit der Lithographie lassen den Schluss zu, dass es sich um die Vorzeichnung für beide, das Gemälde wie für die Lithographie handeln könnte. Das Papier, auf dem die Bleistiftzeichnung entstand, stammt deutlich aus dem 19. Jahrhundert. Das Blatt zeigt auf der Rückseite Spuren nicht wertmindernder, aber professionell ausgeführter Restaurierung, ein Umstand, der auf die Wertschätzung der Zeichnung eines Vorbesitzers schliessen lässt. Wir wagen keine Expertise mit einer klaren Entscheidung für die eine oder die andere Möglichkeit. Die Zeichnung ist jedoch so oder so wegen ihrer künstlerisch hochwertigen Ausführung von erheblicher Bedeutung. Wir haben die Zeichnung vor ca. 25 Jahren in Italien erworben. Der Vorbesitzer hatte sie auf einer italienischen Auktion ersteigert. Seither befand sich die Zeichnung in unserem Privatbesitz. 45,8 x 40,9 cm ( 18 x 16.1") $ 720.00 or make a reasonable offer! Order Nr. BAYERN252905

Bacchanalian scene. Grape-crowned Silenus with a prankish smile offering a basket full of grapes and fruit to bare-bosomed Venus, who, Amor's arrow in hand, looks puzzled, but smiling at admonishing Amor, who, with index finger raised, holds a torch in the other hand. The torch light gives this painting the intense light effects, leaving all except this intimite bacchantalian scene in the dark, from which the vibrant and the subdued colors glow with flashy intensity. The oil painting on canvas is by an anonymous artist. Time of painting: Ca. 1850/60. The stretcher frame is the original one. The black color of the extreme left corner has been redone. Otherwise the painting has exactly the kind of patina one wishes for, including the desirable craquelure. The gold-colored frame is 20th century. Measurements: Painting without frame: 46 x 56.7 cm (18.1 x 22.3") Including frame: 60 x 72 cm (23.6 x 28.3") $5000.00 minus 40% Discount = $ 3000.00 Order Nr. WINE8651

No title. Hercules (standing Nude) -

Artist's copy of "Ercole Farnese". Statue in the National Archeological Museum in Naples

Hercules with the skin of the Nemean lion, his club and, in his hand held in back of himself, one golden apple of the Hersperides.

Unsigned pencil drawing. Quite well executed artist's study of the famous marble statue in Naples.

Watermark. Ca. 1840-1860

Condition: Paper shows various traces of age and use: some wrinkles and spotting especially along paper edges.
Small repaired tear on lower edge. A crease in each upper corner. Small crease on right leg belwo knee.

44 x 24 cm (ca. 17.3 x 9.4")

$ 240.00

Order Nr. ORIGINAL253687

"Blick auf Gargnano" Very fine watercolor dated and signed 1827 by Jakob Hellmann ( 1877-1953 ). Jakob Hellman was a well-known painter in Garmisch Partenkirchen. This attractive aquarell shows the charming town of Gargnano on the west side of Lake Garda looking north. The painting is mounted on gray heavy paper. Painting is in fine condition. A few signs of age and use in gray paper. 48 x 39.5 cm ( 18.8 x 15.5 ") $ 250.00 Order Nr. ORIGINAL249666

Tuschzeichnung Jurist. Fliegende Blätter Ohne Titel. Angeklagter, sich mit Zahnschmerzen entschuldigender Angeklagter vor dem Richter. Lavierte Tusche. Teilweise weiss gehöht. Auf Pappe.  Künstler: Hans Rudolf Käser-Rueff (1870-1932) Leider fehlt der Text, der wohl in dem freien Feld unten rechts eingefügt wurde. Rechts monogrammiert: HRK und datiert (18)91. Da der Wiener Künstler Mitarbeiter der Zeitschrift  "Jugend" in München war, ist zu vermuten, dass diese offensichtlich humorvolle Skizze dort erschien. Leichte Altersbräunung. Obere Kartonecken mit Kleberesten von Montage. Recht unten eine Notiz weiss übermalt. Hinten in blauer Kreideschrift die Verlagsnummer und redaktionelle Anweisung über die Grösse. Darunter in Bleistift: Hans Rudolf Käser, Wien. Kartonmaß: 38 x 27 cm (14.9 x 10.6") $160.00 Order Nr. ORIGINAL251160

Hercules. Anonymous pencil drawing. The rendering is drawn on the basis of Hercules Farnese. The statue once belonged to the Farnese Antique Art Collection in Rome. The statue of Hercules is now part of the permanent exhibition in the Archeologigal NationalMuseum in Naples. Hercules here shown in half profile leaning against a column over which is draped the skin of the Nemean Lion. In the palm his right hand Hercules is holding an apple of the Hesperides, exemplary for love, fertility and eternal youth. The awkward appearance of his left hand (larger than it should be) is a part of the original statue and thus depicted correctly. The well executed pencil drawing has some blemishes caused by age and handling. There are some folds and spots, which wet trying to show enlarged and detailed in scans for the inspection of the viewer. Sheet size: 44 x 23,8 cm (ca. .3 x 9.4") $ 580.00 Order Nr. ORIGINALHERCULES

Maennlicher Akt sitzend. Junger Mann sitzenend. Gut ausgearbeitete, stimmige Aktzeichnung in sepiafarbener Kreide. Das Blatt is umsigniert und undatiert. Wahrscheilich Akademiearbeit eines Kunststudenten. Ca 1900. Blattmass: 26.7 x 19 cm ( 10,5 x 7.4 ") - - - - Male Act sitting. Sepia-colored drawing. Not signed or dated. Possibly from an art student ca 1900. 26.7 x 19 cm ( 10,5 x 7.4 ") Order Nr. ORIGINAL251090SOLD

Gene Kloss Taos Pueblo ãCorn Dancers Coming". Named, numbered 42/50 and signed. Lower right corner ã1955" in pencil. Copper etching by Gene Closs (artist's name. Born as Alice Geneva Glasier). Etching is clean. Upper left and lower left margin corners a bit wrinkly. Small wrinkle in lower left visible only on reverse side. California born Gene Kloss fell in love with New Mexico and especially with Taos, when she travelled there for her honeymoon in 1925. Her artwork has found high esteem and is part of many private and museum collections. 27.8 x 35.3 cm (10.9 x 13.9") Order Nr. USAMOUNTAIN3084 SOLD

No title. Except a pencil line, probably by artist, along upper edge saying: Berühmte Courtisanen (famous courtesans): Jekaterina Iwanowa, Njelidowa. Watercolor over ink by Franz Christophe. Signed lower center: Christophe. Circa 1910. Christophe was born in Vienna 1875 and died in Berlin 1946. He devoted himself almost exclusively to erotic illustrations, many of which were used in various publications. His art is full of open and hidden erotic hints. Here he obviously hints to Katharina the Great of Russia. Paper is age-toned with some light spotting. Lower right corner was torn off (not into image), corner restored. There is a repaired tear on the right side. 31 x 20.7 cm ( 12.2 x 8.1 ") $ 320.00 Order Nr. ORIGINAL9711

Sketch. Nude young man, helmet, two puttos, lyra playing woman. Anonymous pencil drawing. Ca. 1800 Creasing in right margin. Page size: 19 x 11.9 cm ( 7.4 x 4.6 ") $ 125.00 Order Nr. ORIGINAL9719SOLD